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iic_newyork

CEPHALONIA BY LUIGI BALLERINI

Date:

04/20/2016


CEPHALONIA BY LUIGI BALLERINI

Book Presentation: Cephalonia, by Luigi Ballerini, translated from the Italian by Evgenia Matt, published by The Brooklyn Rail (2016). The author will talk about his work with Tom Huhn (School of Visual Arts).

Cephalonia 1943-2001 is a narrative poem in the form of a dialogue or rather, a two-voiced monologue: a fragmented epic, contextualizing the massacre of Italian soldiers perpetrated by German troops in the days following the armistice, signed between Italy and the Allied Forces on September 8, 1943. The voices belong to Ettore B, an Italian soldier fallen in combat, but possibly executed, and Hans D, a German businessman born with a silver spoon in his mouth, that is a man who always lands on his feet, before, during and above all after the war.

Luigi Ballerini was born in 1940, and lives in New York and Milan. The author of numerous essays on Italian Futurism, avant-garde literature and poetry, medieval poetry, historical gastronomy, and contemporary sculpture, he has edited several bilingual anthologies of Italian and American poetry, and translated a variety of American authors including Herman Melville, William Carlos Williams, and Gertrude Stein. His poetry has appeared under the following titles: eccetera. E (1972), Che figurato muore (1988), Che oror l’orient (1991), Il terzo gode (1994), The Cadence of a Neighboring Tribe, English edition, (1997) Stracci shakespeariani (1996), Uscita senza strada (2000), Uno monta la luna (2001), Cefalonia (2005, 2013), Se il tempo è matto (Mondadori, 2010), Una dozzina + 3 (2012).
A volume of his collected poems will be published by Mondadori in April 2016.

Tom Huhn teaches at the School of Visual Arts where he is Chair of the Departments of Art History and of BFA Visual and Critical Studies. He has published widely on aesthetic theory: his books include:Imitation and Society: The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant (2004); The Cambridge Companion to Adorno (2004); The Wake of Art: Criticism, Philosophy, and the Ends of Taste (1998); The Semblance of Subjectivity: Essays in Adorno's Aesthetic Theory (1997).

Information

Date: Wednesday, April 20, 2016

Time: From 6:00 pm To 8:00 pm

Organized by : ICI

Entrance : Free


Location:

Italian Cultural Institute of New York

1611